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How to Play “Broken Strings” by James Morrison ft. Nelly Furtado – Complete Guitar Tutorial

Introduction to “Broken Strings” Guitar Lesson

“Broken Strings” is a beautiful acoustic ballad that showcases excellent fingerpicking technique and emotional chord progressions. This comprehensive guitar tutorial will guide you through every aspect of this touching duet, from the delicate fingerpicked verses to the powerful strummed chorus sections that make this song so memorable.

Song Overview and Essential Information

Artist: James Morrison featuring Nelly Furtado
Album: Songs for You, Truths for Me (2008)
Original Key: F# Major
Capo Position: 2nd Fret (play in E Major)
Tempo: 76 BPM
Time Signature: 4/4
Difficulty Level: Intermediate
Playing Time: 4:07
Guitar Style: Acoustic fingerpicking and strumming

Guitar Setup and Capo Information

Capo Placement and Tuning

Capo Position: 2nd Fret
Tuning: Standard (E-A-D-G-B-E)
Relative Key: E Major (with capo)
Actual Key: F# Major

Why Use a Capo?

Using a capo on the 2nd fret allows you to:

  • Play in comfortable, open chord positions
  • Achieve the original key’s pitch
  • Maintain rich, resonant open string tones
  • Simplify chord transitions for smoother playing

Guitar Recommendations

Acoustic Guitar Setup:

  • Steel-string acoustic (dreadnought or concert body)
  • Light to medium gauge strings (0.010-0.047)
  • Capo with even pressure distribution
  • Pick and fingers for hybrid technique

Essential Chord Diagrams (Capo 2nd Fret)

Primary Chords Used

E Major

E Major (Capo 2nd Fret)
e|---0---
B|---0---
G|---1---
D|---2---
A|---2---
E|---0---

A Major

A Major (Capo 2nd Fret)
e|---0---
B|---2---
G|---2---
D|---2---
A|---0---
E|---X---

C#m (C# minor)

C#m (Capo 2nd Fret)
e|---0---
B|---2---
G|---1---
D|---2---
A|---4---
E|---X---

B Major

B Major (Capo 2nd Fret)
e|---0---
B|---0---
G|---1---
D|---4---
A|---2---
E|---X---

F#m (F# minor)

F#m (Capo 2nd Fret)
e|---0---
B|---0---
G|---2---
D|---4---
A|---4---
E|---2---

G#m (G# minor)

G#m (Capo 2nd Fret)
e|---0---
B|---0---
G|---1---
D|---1---
A|---1---
E|---4---

Extended Chords for Advanced Players

Aadd9

Aadd9 (Capo 2nd Fret)
e|---0---
B|---0---
G|---2---
D|---2---
A|---0---
E|---X---

Esus4

Esus4 (Capo 2nd Fret)
e|---0---
B|---0---
G|---2---
D|---2---
A|---2---
E|---0---

Song Structure Analysis

Verse Sections

The verses feature gentle fingerpicking patterns that create intimacy and emotional depth. The progression primarily uses E – A – C#m – B.

Pre-Chorus Sections

A transitional section that builds tension using F#m – G#m – A – B progression.

Chorus Sections

The chorus opens up with fuller strumming patterns and harmonic richness, utilizing E – A – E – B – A.

Bridge Section

The bridge provides dynamic contrast and emotional peak before the final chorus.

Tablature and Fingerpicking Patterns

Basic Fingerpicking Pattern for Verses

Right Hand Technique:

  • Thumb (T): Bass notes on strings 6, 5, and 4
  • Index (I): 3rd string (G)
  • Middle (M): 2nd string (B)
  • Ring (R): 1st string (E)

E Major Fingerpicking Tablature

E Major Fingerpicking Pattern
e|---0-------0-------0-------0---|
B|-----0-------0-------0-------0-|
G|-------1-------1-------1-------|
D|---------2-------2-------2-----|
A|---2-------2-------2-------2---|
E|-0-------0-------0-------0-----|
  T   I M R   T   I M R   T   I M

A Major Fingerpicking Tablature

A Major Fingerpicking Pattern
e|---0-------0-------0-------0---|
B|-----2-------2-------2-------2-|
G|-------2-------2-------2-------|
D|---------2-------2-------2-----|
A|-0-------0-------0-------0-----|
E|---X-------X-------X-------X---|
  T   I M R   T   I M R   T   I M

C#m Fingerpicking Tablature

C#m Fingerpicking Pattern
e|---0-------0-------0-------0---|
B|-----2-------2-------2-------2-|
G|-------1-------1-------1-------|
D|---------2-------2-------2-----|
A|---4-------4-------4-------4---|
E|---X-------X-------X-------X---|
  T   I M R   T   I M R   T   I M

Advanced Fingerpicking Variations

Arpeggiated Pattern

Advanced Arpeggio Pattern (E Major)
e|---0-----------0-----------0---|
B|-------0-----------0-----------|
G|-----------1-----------1-------|
D|---------------2---------------|
A|---2-----------------------2---|
E|-0-----------0-----------0-----|
  T     I     M     R     T     I

Strumming Patterns for Chorus

Basic Strumming Pattern

Primary Pattern: D-D-U-U-D-U (Down-Down-Up-Up-Down-Up)

E Major Strumming Tablature

E Major Strumming Pattern
e|---0-0-0-0-0-0---|
B|---0-0-0-0-0-0---|
G|---1-1-1-1-1-1---|
D|---2-2-2-2-2-2---|
A|---2-2-2-2-2-2---|
E|---0-0-0-0-0-0---|
  D D U U D U

Dynamic Strumming Variations

Accent Pattern

Create emphasis through varied pick attack:

  • Strong downstrokes: On chord changes
  • Light upstrokes: For rhythmic texture
  • Palm muting: For percussive effect

Build-up Pattern

Chorus Build-up Strumming
Beat 1: D (strong)
Beat 2: D-U (medium)
Beat 3: D (strong)
Beat 4: D-U-D-U (building)

Chord Progression Analysis

Verse Progression

Progression: E – A – C#m – B

This progression creates a sense of journey and emotional depth:

  • E Major: Establishes tonal center
  • A Major: Provides lift and brightness
  • C#m: Adds emotional minor quality
  • B Major: Creates tension and resolution

Pre-Chorus Progression

Progression: F#m – G#m – A – B

This sequence builds tension toward the chorus:

  • F#m: Relative minor adds depth
  • G#m: Heightens emotional intensity
  • A Major: Provides harmonic lift
  • B Major: Creates dominant tension

Chorus Progression

Progression: E – A – E – B – A

This progression emphasizes the song’s emotional core:

  • E-A-E: Strong tonal center with brightness
  • B-A: Dominant resolution pattern
  • Return to E: Satisfying harmonic conclusion

Advanced Playing Techniques

Fingerpicking Dynamics

Volume Control

Master these dynamic levels:

  • Pianissimo (pp): Very soft, intimate touch
  • Mezzo-piano (mp): Moderate soft volume
  • Mezzo-forte (mf): Comfortable playing volume
  • Forte (f): Strong, emotional emphasis

Touch Sensitivity

Develop varied finger attacks:

  • Fingertip playing: Bright, clear tone
  • Flesh playing: Warm, mellow sound
  • Nail combination: Balanced brightness and warmth

Strumming Techniques

Pick Dynamics

Control pick attack for expression:

  • Light touch: Gentle, flowing strums
  • Medium attack: Balanced, musical strums
  • Strong attack: Emphatic, powerful strums

Rhythm Variations

Rhythm Variation Example
Beat 1: D (strong)
Beat 2: rest
Beat 3: D-U (syncopated)
Beat 4: U-D-U (triplet feel)

Practice Exercises

Exercise 1: Basic Fingerpicking

Tempo: 60 BPM
Focus: Clean note separation and timing

Practice each chord shape with the basic fingerpicking pattern:

  1. Hold chord shape firmly
  2. Play pattern slowly and evenly
  3. Listen for clean note separation
  4. Gradually increase tempo

Exercise 2: Chord Transitions

Tempo: 50 BPM
Focus: Smooth chord changes

Practice the verse progression:

  1. E Major for 4 beats
  2. A Major for 4 beats
  3. C#m for 4 beats
  4. B Major for 4 beats
  5. Repeat continuously

Exercise 3: Dynamic Control

Tempo: 70 BPM
Focus: Volume and intensity variation

Practice dynamic changes:

  1. Start with soft fingerpicking
  2. Gradually build to medium volume
  3. Crescendo to forte strumming
  4. Return to soft fingerpicking

Exercise 4: Hybrid Technique

Tempo: 65 BPM
Focus: Combining pick and fingers

Alternate between:

  1. Fingerpicking for verses
  2. Pick strumming for chorus
  3. Smooth transitions between techniques

Common Mistakes and Solutions

Fingerpicking Issues

Problem: Inconsistent Bass Notes

Solution: Isolate thumb technique, practice with metronome

Problem: Muted Strings

Solution: Arch fingers higher, check finger placement

Problem: Uneven Timing

Solution: Count aloud, use slower tempo initially

Strumming Problems

Problem: Harsh Pick Attack

Solution: Relax grip, use lighter touch

Problem: Inconsistent Rhythm

Solution: Practice with metronome, emphasize downbeats

Problem: Chord Buzzing

Solution: Check finger pressure and positioning

Chord Transition Issues

Problem: Stopping Between Chords

Solution: Practice chord shapes until automatic

Problem: Slow Changes

Solution: Practice minimal finger movement

Problem: Lost Rhythm

Solution: Keep strumming hand moving, even during changes

Performance Tips

Emotional Expression

Verse Sections

  • Use gentle, intimate fingerpicking
  • Focus on clear note articulation
  • Maintain steady, relaxed tempo
  • Create dynamic contrast with soft touch

Chorus Sections

  • Increase energy with fuller strumming
  • Emphasize strong downbeats
  • Build intensity gradually
  • Use pick dynamics for emphasis

Stage Presence

Acoustic Performance Tips

  • Position guitar for optimal sound projection
  • Maintain relaxed posture for better tone
  • Use facial expressions to convey emotion
  • Connect with audience during intimate sections

Recording Considerations

  • Use quality microphone placement
  • Record multiple takes for best performance
  • Pay attention to finger noise and string squeaks
  • Consider double-tracking for fuller sound

Equipment Recommendations

Acoustic Guitars

Recommended Models:

  • Martin D-28 (dreadnought)
  • Taylor 814ce (grand auditorium)
  • Gibson J-45 (slope shoulder)
  • Yamaha FG830 (budget-friendly)

Essential Accessories

  • Capo: Kyser Quick-Change or Shubb C1
  • Picks: Medium thickness (0.73mm-0.88mm)
  • Strings: Light gauge phosphor bronze
  • Tuner: Clip-on or pedal tuner for accuracy

Recording Equipment

  • Microphone: Large diaphragm condenser
  • Audio interface: USB or Thunderbolt connection
  • DAW software: Pro Tools, Logic Pro, or Reaper
  • Monitor speakers: Near-field studio monitors

Song Arrangement Variations

Solo Acoustic Version

For single guitar performance:

  • Combine fingerpicking and strumming
  • Use chord melody techniques
  • Emphasize dynamic contrasts
  • Focus on emotional storytelling

Duet Arrangement

For two guitar performance:

  • Guitar 1: Fingerpicking and rhythm
  • Guitar 2: Harmonies and lead lines
  • Coordination: Practice timing together
  • Balance: Ensure both parts complement

Full Band Version

For ensemble performance:

  • Acoustic guitar: Primary rhythm and fingerpicking
  • Electric guitar: Subtle lead lines and texture
  • Bass: Root notes and harmonic support
  • Drums: Gentle brush work or light sticks

Practice Schedule

Week 1-2: Foundation Building

  • Master basic chord shapes with capo
  • Learn fundamental fingerpicking pattern
  • Practice chord transitions slowly
  • Focus on clean note production

Week 3-4: Pattern Integration

  • Combine fingerpicking with chord changes
  • Add strumming patterns for chorus sections
  • Work on dynamic control
  • Practice with metronome consistently

Week 5-6: Musical Expression

  • Develop emotional phrasing
  • Work on smooth section transitions
  • Practice performance dynamics
  • Record yourself for self-assessment

Week 7-8: Performance Preparation

  • Play along with original recording
  • Practice complete song performance
  • Focus on consistency and expression
  • Prepare for live performance if desired

Troubleshooting Common Issues

Capo-Related Problems

Issue: Strings Going Out of Tune

Solution: Ensure even capo pressure, check string stretch

Issue: Fret Buzz with Capo

Solution: Adjust capo position, check neck relief

Issue: Difficulty with Chord Shapes

Solution: Practice chord forms without capo first

Technical Difficulties

Issue: Finger Fatigue

Solution: Take regular breaks, build strength gradually

Issue: Inconsistent Tempo

Solution: Use metronome, count aloud while playing

Issue: Poor Tone Quality

Solution: Check finger positioning, adjust touch technique

Advanced Concepts

Harmonic Analysis

Understanding the song’s harmonic structure:

  • Tonic: E Major (home chord)
  • Subdominant: A Major (IV chord)
  • Dominant: B Major (V chord)
  • Relative minor: C#m (vi chord)

Modal Interchange

The song uses borrowed chords for emotional effect:

  • F#m: ii chord from parallel minor
  • G#m: iii chord, creates tension
  • chromatic movement: Enhances melodic interest

Rhythm Analysis

The song’s rhythmic character:

  • Compound feel: Triplet subdivisions in ballad tempo
  • Syncopation: Off-beat accents in strumming
  • Rubato: Slight tempo flexibility for expression

Conclusion

“Broken Strings” is an excellent song for developing fingerpicking technique, chord transitions, and emotional expression. The combination of gentle verses and powerful choruses provides an ideal framework for learning dynamic control and musical storytelling.

The key to mastering this song lies in balancing technical accuracy with emotional expression. Take time to develop each element separately before combining them into the complete performance.

Remember that the capo placement allows you to use comfortable chord shapes while achieving the original key’s pitch. This makes the song accessible to intermediate players while still providing challenges for advanced guitarists.

Practice consistently, focus on clean technique, and most importantly, connect with the song’s emotional message. The technical elements serve the musical expression, not the other way around.

Additional Resources

Related Songs to Explore

After mastering “Broken Strings,” consider these similar songs:

  • “You Give Me Something” – James Morrison
  • “I’m Like a Bird” – Nelly Furtado
  • “Mad World” – Gary Jules
  • “Hallelujah” – Jeff Buckley

Online Resources

  • Metronome apps for practice timing
  • Chord chart generators for different keys
  • Video tutorials for visual learners
  • Play-along tracks for practice

Further Study

  • Fingerpicking technique books
  • Music theory for guitarists
  • Recording techniques for acoustic guitar
  • Performance anxiety management
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